HEADPHONE PROCESSING

studio submissions: click here

Sony MDR-M1 MDR-MV1

DT 770 pro DT 990 pro

HD 490 PRO open back

The is our process explained and the equipment used along the way 

FIRST we inspect the WAV files then decide how we want to CREATE and place real music inside the sphere.

1)

We take those stem WAV files and carefully, strategically place them in the sphere.

2)

The software integrates and feeds the monitor controller that in turn feeds/sends signal/sound to the speakers

3)

This is the room speaker configuration. Speakers are placed at three (3) levels - BLUE, three on the bottom front - GREEN, five middle speakers, front and back - RED, five upper speakers top level front and back.

This is where we sit and mix your music in a true immersive spatial setting, the in studio LIVE mix is what's transmitted to the mobile phone we can bounce back and forth at ease.

4)

5)

AFTER a loud speaker mix we run the signal through a headphone mix schedule - we get an overall average response from both open and closed back headphones.

6)

Headphones are only the first half NEXT we run it through the app LIVE on the backend of Peertracks - MusicXR has its own private testing channel so we get LIVE real time monitoring.

Sony WH-1000XM5 WH-1000XM4

MONITOR CONTROLLER Grace m908

We could use any speaker we want but the GENELEC 8050b's for both 360 Reality audio and Dolby Atmos productions are unmatched for many reasons. We don't rely on subs we get the ultimate headphone mix exactly as we hear it on the open system. The 8050b delivers the necessary bass on all levels. Genelec subs and Focal subs for stereo work for deeper sound freq. and NS-10's for fine tuning the stereo output before an immersive mix.